An incarcerated person asked these questions for Wayne T. Dowdy. Because of privacy concerns, the name of the incarcerated person will remain anonymous. Straightfromthepen.com gives special thanks and will provide a complimentary copy of Essays and More Straight From the Pen.
Q: Since you have started using this blog, has the sales increased on your books? A: I haven’t noticed much of an increase in sales since I began writing the blogs. But since my release from prison, I have increased the number of views on the blogs, and the circulation of eBooks on Smashwords.com by making certain eBooks free.
Q: Since you began using this blog, have you talked about your books? A: Yes, during the first two years I did (I paid to get a website and blog created in 2015), but I haven’t written promotional content in several months.
I got involved with the prison reform movement in 2016, and then later began writing blogs relating to prison reform, but also to help fight my way out of prison. I became an outspoken critic of the former BOP Director (Mark S. Inch), who changed halfway house policies (reducing available placement period from up to one-year to “up to four months”).
On prison reform, I wanted to do my part in creating positive change, so I put my personal writing and sales promotions on the side until I could get out of prison and put things in action. Now I am back. Look out!
Q: How many books have you written? A: I’ve written four books but only have two I’m marketing. I had a special purpose for UNDER PRESSURE-MOTIVATIONAL VERSIONby Mr. D (I added sections to the original UNDER PRESSURE to inspire the aspiring writers). To make it a better value for my readers, I combined the original novel with the sequel and produced UNKNOWN INNOCENCE by Wayne T. Dowdy ($9.99 plus S&H), with the help of Midnight Express Books.
The other book is technically a personal magazine because it combines genres. ESSAYS & MORE STRAIGHT FROM THE PEN has 11-essays, 1-short story, and 3-poems, which I’ve discounted the price of at $8.95.
My case manager read it and commented, “Parts of it make you want to laugh, others make you want to cry. There’s a lot of wisdom in it.”
Q: When did you start writing? A: I wrote for decades in personal journals. At the age of twenty-five, while serving a state sentence, I wrote drafts for a series of pornographic literature. I gave my collection to a married woman I was having an affair with and asked her to keep them for me until I got out.
She was jealous. Everything I wrote did not include her. When I got out and wanted my writings, she said they got lost or her husband threw them away, either way, my perverted writings conveniently disappeared.
Maybe I’ll return to that genre if sales don’t improve on what I’m writing now. 🙂 With the success of Fifty Shades of Grey by E.L. James, there’s a large market for that type of writing.
Q: Did you go to college to learn to write? A: Yes, and No. In 1981 I did take Creative Writing in college. In 2006-2008, I took a professional writing course through the Long Ridge Writers Group to learn how to write essays and short stories for magazine publication.
Q: Were you published in any magazines? A: Yes, but I was published before taking the course. In 2003 I was first published in the A.A. Grapevine under a pseudonym. I’ve been published several times since then; however, none of the publications satisfy my ego, which always wants more.
These are my magazine writing credits: The Sun (Chapel Hill, NC); The Iconoclast; Confrontation magazine, the literary journal of Long Island University; Savage Kick magazine; and many others under a pseudonym related to recovery from drugs and alcohol.
Q: How has writing changed your life? A: Writing, in general, has not changed my life except on an interpersonal level. But writing does help me to formulate ideas and allows me to express myself without interruption. That means a lot to me when I feel the issue is important and needs addressed, whether it’s what people want to hear or not.
One day I hope to answer that question by saying my writing changed the quality of life by making me rich and famous, but in the meantime, I must say it keeps me constructively occupied and that I take pride in knowing my writing impacts the lives of others, as many have said to me throughout the years.
Q: Are you writing another book now? A: No, but I do have ideas for one coming soon and I am plotting on writing query letters and articles I want to see in print, something my ego loves (seeing my name in print).
Jeffrey P. Frye never fails to deliver well-written and entertaining stories from his life. His unique background in the legal and illegal professions gives him writing credibility that keeps readers wanting to see what he produces next.
Bank Robber Stories contains humor and a variety of mixed-emotional avenues for readers to experience. A great read for the curious minded about life on the inside of the United States Federal Bureau of Prisons and what might lead a person to change professions from the legal to illegal.
Mr. Frye is now in the process of returning to his natural state before his fall from grace. He will confess to “Not Thinking” if asked, “What was you thinking?” Reading this book proves it!
~ Wayne T. Dowdy, author of UNKNOWN INNOCENCE, and ESSAYS AND MORE STRAIGHT FROM THE PEN.
It takes a special kind of person to turn their adversities into success; their sadness into joy that’s used to entertain others.
And it takes a person with tenacity and depth to continue to seek the sunshine when all you’ve ever known is the rain. And it takes a person with natural talent to be able to write a story under these conditions that’s captivating and that you don’t want to put down.
Wayne T. Dowdy is such a person, and UNKNOWN INNOCENCE is such a story.
In UNKNOWN INNOCENCE, Dowdy takes the reader into the lives of his protagonists, Bobby and Nicole, and tells the story of how it all went terribly wrong. How the forces of bad luck, helped along by a crooked FBI agent and attorney, conspired to take Bobby behind the walls of the United States Federal Penitentiary at Leavenworth, Kansas. Using a pen along with a vivid and epic imagination, Dowdy draws upon his life in the free world, as well as his nearly three decades of walking the line in some of the roughest federal pens in America.
Moving along at a steady pace, UNKNOWN INNOCENCE tells the story of Bobby’s wrongful conviction. Sent up the river for life without parole, Big Bobby never gives up hope though. The one thing that has eluded him for most of his life is the very thing that turns out to be his salvation. Love. UNKNOWN INNOCENCE is a riveting tale that transcends genres. It’s a mystery and a thriller, with a love story woven through its fabric.
Wayne T. Dowdy is a writer for the masses whose voice has purpose. It tells the World, “No matter what happens to me, I will not give up.” This voice takes the broken pieces of a life and combines it with raw talent to bring forth a beautiful mosaic. It’s a voice that says, no matter how guilty I may be, there is still unknown innocence in each and every one of us.
UNKNOWN INNOCENCE consumed my first novel, UNDER PRESSURE by Mr. D, and part of my second book published by Midnight Express Books (UNDER PRESSURE–MOTIVATIONAL VERSION). What separated the second novel from the first was the addition of “The Story Behind the Novel” and the addition of the first two chapters of UNKNOWN INNOCENCE.
After writing the sequel, I decided to give readers a better value by allowing the sequel to consume the original novel.
For this blog post, I’m providing a peek into the most important part of the Motivational Version (The Story Behind the Novel ), and one randomly selected chapter that shows one aspect of prison life in some of the more dangerous prison settings, Chapter #6, Let It Go.
Warning: Not Politically Correct! Contains Violence, Profanity
Let It Go
Months later, on a cool spring morning, Stan
and Bobby returned from the yard and took their showers before being counted at
10 A.M. Shortly thereafter, they went to eat Spanish omelets, oatmeal, biscuits
and gravy for brunch. That afternoon, Stan sat near the center of the TV room
watching VH1. The TV room was on the walkway at the rear of the cellblock that
joined the tiers. Terry, Jake, and three of Jake’s friends were huddled in the
back corner. Two Jamaicans, who were acquaintances of Stan, sat closest to the
only door, talking. Stan lowered the volume on his Walkman to hear Jake and
Terry’s conversation. A few minutes later his suspicion was confirmed: Terry
still planned to involve Wendy.
“She’s coming over the holiday weekend in
July and I’ll talk her into bringing in the package,” Terry said.
Stan stood and turned to face all five in
the corner. “Keep my sister’s name out of your mouth,” he said.
“Keep out of my business, boy,” Jake said.
Him and his three friends stood. Terry stayed seated.
“Don’t try fucking with this boy!” Stan said.
Terry stood. “I won’t let anything happen to
her, dude,” he said, his voice a high-pitched tone, almost a shrill.
Rastaman stepped out the door and cleared
the corner of the tier to get Big Bobby. At the same moment, Bobby walked out
of his cell to go get some hot water. Rastaman saw him and yelled in his
Jamaican accent. “Yo, mon, Stan need you.” Bobby slung the cup in his cell.
One of Jake’s partners positioned himself
near the door by the other Jamaican, who sat looking toward the television with
a know-nothing stare on his face.
“You’re damn right you’re not because you’re
not going to pull her into your shit,” Stan said. “Find another way to feed
Jake’s other partners tried to position
themselves behind Stan, who turned to put the wall behind him. Jake moved
closer to him and said, “What’s up? You want to get this out of the way, right
“Smash that punk!” the one by the door said.
Terry edged closer to the door. “Y’all cut
this bullshit out, dudes,” he said. “We’ll all go to the hole.”
Jake moved within arm’s reach. Stan shoved
him in the chest with both palms. “Get off me, punk,” he said.
Jake stumbled backward. He regained his
balance and rushed back to get in Stan’s face. “Want some of this,” he said,
and pushed him back.
“Don’t take that from that cunt,” another
yelled. “Hit him!”
The one by the door pulled a shank from his
waistband. “Let’s stick this bitch,” he said, his back a foot from the door.
Everything changed fast: Big Bobby barged
into the room. The door smacked the doorman holding the shank, knocked him into
Terry, who shot to the wall near Bobby.
“Hey,” the doorman shouted, as he turned to
see who had hit him with the door. His face paled when he saw Bobby. He hurried
beside Jake, faced Bobby.
Jake had moved to the corner when Bobby
rushed into the room. “What’s up?” Bobby said, his voice coarse.
The two who had surrounded Stan moved with
Jake. Terry stood against the wall with his arms crossed. Bobby moved within
striking distance of the doorman.
“Let it go, man,” he said. Rastaman had
followed him into the room. The other Jamaican stood and positioned himself
beside his partner and Bobby.
Stan eyed the two who tried getting behind
him, and then he moved near Bobby and the Jamaicans. He looked at the one with
the shank. “Put that up before I stick it up your ass,” he said.
“You got the easy part done,” the doorman
“Cut the bullshit,” Terry said.
Still winded from rushing down the tier,
Bobby said, “All of you need to put this on ice. Nothing good’s going to come from
us going to war over whatever the hell y’all got going on in here.”
Jake took a step closer to them. “Tell your
boy to keep out of my business, big guy.”
Bobby started to speak. Stan pointed at
Terry. “I’ve done told that idiot I didn’t want him involving my sister in your
business, buddy,” he said. “If you can’t respect that, we’ve got big problems.”
“You’ve got big problems with all that
mouth,” the doorman said. Seconds earlier, he had slipped the blade of the
shank in the front pocket of his pants and covered its handle with his hand.
“Look, man, my problem’s not with you but we can make it that way if you don’t back off,” Stan said. He moved closer to him. “I don’t give a damn about you having a shank.”
Bobby stepped between Stan, Jake, and the
doorman. The Jamaicans stayed in the background, propped against the wall by
the door where Terry stood. The doorman jerked out the shank. Before Bobby
could stop him, Stan maneuvered around him and grabbed the doorman’s wrist
holding the shank. In a continuous motion, he twisted it behind the man’s back
and yanked it to the base of the neck, as he forced him against the rear wall. “What
you want to do now, bitch?” Stan growled, keeping the pressure on the back of
Jake advanced toward Stan. Bobby grabbed him
by the shoulders and slung him against the wall, and then turned his head to
glance at the other two, making sure they weren’t getting involved. “Stay out
of it!” he said.
The Jamaicans, who were much larger than
either of the two they faced, had moved between them and Bobby. Both Jamaicans
had their arms spread, angled toward the floor, palms opened, inviting war or
peace. “We don’t want no trouble,” one of the other two said.
After he had failed to free himself from Stan’s hold, the doorman dropped the shank. It clanged as it struck the floor. “All right, man. You got it,” he said, his voice strained from stress.
Jake stayed still against the wall; fear
written on his forehead: Bobby’s massive chest six inches from his nose.
Stan used his foot to slide the shank to the
far side of the room. Then he released his hold and stepped away from the
doorman. “Let’s all let this shit go and get the fuck out of here before the
hacks come and slam us in the hole,” he said.
Everyone exited the television room; their
eyes darting one from another, sweat dotting their foreheads. Stan waited until
last to leave, motioning for the doorman to get his shank and go. He did so
silently, his head held low.
Five minutes after leaving the TV room, Stan
had told Bobby all that had gone down before he walked into the drama. They sat
in Stan’s cell with their arms crossed, sodas sitting on the floor by each of
their legs. Neither one uncrossed their arms except to take a sip from their
“What you think about it?” Stan said. “You
think they’re going to let it go or what?”
Bobby cleared his throat and repositioned himself on the toilet bowl where he sat. “I’d like to think they’ll let it go and leave us alone, but you know how things go in these places. They may claim a truce only to gain an edge for an attack. I’m going to keep an eye on ‘em, for sure.”
“You know I’ll keep an eye on them. And if
Terry and Jake don’t leave Wendy out of their plans, they’d better keep an eye
on me,” Stan said, and then got up from the edge of his bed. “I’m telling you,
man, if they don’t, it’s going to be bad. Wendy may become a widow before it’s
over with if they don’t.”
“Well, … we’ll just have to play the cards
dealt and play the game well. Let it go if you can,” Bobby said. Then he rose
and patted Stan on the back. “Gotta go, Pal. Keep your eyes open. Yell if you
need me, okay?”
“Okay, man. I’m sorry I got you into this
“Don’t sweat it. It’ll all work itself out
however the hell it’s supposed to turn out.” Then he ducked to leave the cell.
He stopped on the tier.
“See you later,” he said and threw up his
hand before walking back to his cell.
The Story Behind the Novel
August 14, 2019: This novel was published while I was in prison and most
content remains the same; however, on May 8, 2019, I was released from the
custody and control of the United States Federal Bureau of Prisons. I removed some
of the original content from “The Story Behind the Novel” because it became outdated.]
story behind the novel may surprise you because I wrote it while serving a 420-month
federal prison sentence. Mr. D.” is the pseudonym I used for my first book to
avoid any confusion associated with my writings. I am a writer of many genres
and am aware that some readers are “profanity-sensitive”; I don’t want anyone
to be confused when purchasing my books, essays or short stories. Though not
used frequently, profanity is often necessary to capture the personality of a
character or to make a scene or setting more realistic; especially, when writing
about prison life. A person allergic to profanity may safely read most of my
personal essays (inspirational, political, creative nonfiction), but may break
out into a rash or go into anaphylactic shock when reading what I write as “Mr.
D,” a pseudonym I chose based upon the song, Dancing with Mr. D., by the
Rolling Stones, and because my last name begins with “D” and some people call
me Mr. D.
should the reader find motivation by reading this? It came from the confines of
a prison. If I wrote this from inside, without an electronic data storage
system, and without access to the Internet, someone “out there” with all of the
available technology and resources can really work some magic. This is the
story behind the novel:
am a federal prisoner serving a lengthy prison sentence; to be precise,
thirty-five-years, without parole, for armed bank robbery and associated
charges. I started on August 18, 1988. I have never used the Internet or seen a
cell phone, other than in magazines or on television. I’m somewhat prehistoric,
prison, our movement and activities are limited. For instance, I only have until
7:45 pm, Monday through Thursday evenings, to type at the library, which does
not begin until my living unit gets released for chow (usually by 6:00 pm). At
the library, I use a dumbed-down, AlphaSmart, word processor to type with until
the library closes [AlphaSmarts were removed from the library before my release
and replaced with the worst typewriters available, with no memory recall
Normally, a writer using an AlphaSmart would have an interface cord to connect to their PC to upload what they typed on the AlphaSmart, and would then make modifications to the text in their PC; e.g., change line spacing, font size or style, underline words or adjust margins. I don’t have a PC to upload what I have typed and cannot modify what I have written, other than typical editing functions, such as copying and pasting and using spellcheck to correct misspelled words (program does not check grammar or punctuation). Fortunately, the presets include double line spacing, one-inch top, left and right margins, and a 12-pt Times New Roman font. If I want to add an underline to a word or a case cite when doing legal work, I have to create a separate file, count spaces, and then use the underscore key to create an underline. Then I have to run the original document back through a low-quality printer to complete the process.
That gives you an idea of what limited capabilities are when writing and typing from inside a prison (and I am fortunate to be able to do what I do). Some prisons only have ancient typewriters, with no memory storage capabilities. (I authored Under Pressure on such a primitive device.) The only other day I have to work on my writing is on Saturday because the library does not open on Sunday or holidays. During the morning I skip going to eat to type from 7:30 am (or whenever the door opens) until 9:15 am. Then I have to return to the cellblock to be counted. Yes, all of us men must stand up and be counted at 10:00 am, 4:00 pm, and 10:00 pm on weekends and holidays. The 10:00 am Count is a special event: we don’t have one during the week. I often use the break for the count to proofread what I’ve written, or to prepare for what I will write.
Once the count clears and the prison staff begins feeding the noon meal, I often skip chow to go type some more. I am usually typing by 11:30 am until I have to turn in the AlphaSmart at 3:15 pm. Fridays and Sundays are my days of forced rest from typing at the library: the only place I can type personal projects.
Where am I during the week when not at the library? Working. I work as the document control clerk in a textile factory of the Federal Prison Industries, Inc., trade name UNICOR. My meager MONTHLY salary averages near $200.00. I used that income to pay for my enrollment in the Long Ridge Writers Group on January 8, 2007. The course is outlined for completion within two years. On July 7, 2008, I graduated. During the same time that I was taking their writing course, I wrote the short story, “Under Pressure.” I attempted its publication by submitting my 6,158-word manuscript (typed on the ancient typewriter mentioned earlier), to various magazines, college literary journals, and entered it in PEN’s Prison Writing Contest. It didn’t win. Then on January 1, 2012, my ambition was born to convert the short story into a novel, the hard way, almost five years from the date of when I enrolled in the Long Ridge Writers Group to learn how to write and market short stories and essays. One year after I decided to turn the short story into a novel, it was available worldwide.
biggest problem in getting started with converting the short story into a novel
came from not having any way to electronically store data. When I finished
typing at the prison library to return to the cellblock, everything I had typed
was deleted according to policy. I knew having memory storage would ease the
pain of the revision process (some pages I retyped up to five times to correct
a typo, verb tense, or to replace or to add “one” word). I solicited help from
my family and friends to have my manuscript scanned and stored on a disk or CD
as a word.doc format for the manipulation of data. One of my two sisters, who
was not real computer savvy, did go to different places attempting to find what
I needed, but the best she could find was someone to scan and save it as a pdf
file, which I didn’t think would allow her to alter the text back then (now
converters are available that allows a person to modify Portable Document Format
I began the conversion process in light of the troubled waters ahead before I learned about the publisher, Midnight Express Books (MEB). Approximately six months after I had surrendered the idea of finding an easier, softer way to write the novel, I discovered MEB through an ad in the Education Behind Bars Newsletter (EBBN). EBBN ran an ad in Prison Legal News and asked for submissions. I submitted an essay and began receiving complimentary copies of the newsletter. In the last issue I received, I noticed an ad for MEB, who works exclusively with prisoners seeking publication [the publisher retired].
that point, I had decided to go the traditional publishing route, so I passed
along the information to another aspiring writer. MEB sent him a brochure. He
asked me to read it and asked that I give him my opinion. I was sold when I
read about MEB’s optical character reader and computer program for scanning
manuscripts, and then being able to digitally alter the text. I immediately
added their contact information to the system provided for e-mailing and
recording addresses (TRULINCS & http://www.corrlinks.com). Thus, began the
correspondence that lead to MEB helping me publish my first novel.
On January 14, 2013,
CreateSpace.com released UNDER PRESSURE for sale to the public as a print-on-demand
book. [Note: Amazon closed CreateSpace,
which was a self-publishing division for paperback books. Now authors must use Kindle
Direct Publishing and pay Amazon twice the amount of commission for books sales.]
following day Amazon.com posted UNDER PRESSURE. Now it is available worldwide
upon demand through the following sources:
[10/26/2020: Removed several links where sold]
[THE POINT IS] If the product in your hands (or before your eyes) came from inside a federal prison, with the assistance of MEB, imagine what you can do “out there” with all of the available technology.
Maybe one day I will find out. For you, though, if you are an aspiring writer or just a reader with ambitions, apply yourself to the task and reach for your dreams: they may be closer than you imagine.
T. Dowdy aka, “Mr. D.”
I welcome all comments and will respond to all questions as soon as possible, which may vary according to the number received, but I will respond.